Nits go on with their exploration of sounds and stories. The album “Angst” is followed by two more albums of tracks based on improvisation. The outcome are alternatingly challenging and beautiful, between classic pop songs and seemingly free form-structures. The albums “Knot” (2019) and “Neon” (2022) are unexpected late in the career-highlights.
This episode features the thoughts and insights of various musicians and a philosopher into the work of the Nits. They also share their views on why this oeuvre is important both on a musical and more general level. A colourful bouquet of different approaches.
„Angst“ is an album of memories. Memories of World War II, of Dutch nazis, of “Fanta erfrischt”. But then also memories of the Seventies, of Saturday evenings and grandma’s place, with Dutch showmaster Rudi Carrell on the TV and the men in the family playing cards. And, “Angst” is also the first of three albums where the songs were improvised.
Covering songs by the Nits isn't the easiest task, and neither is it one that has been often undertaken. For the 40th anniversary of the band, some Swiss Nits-enthusiasts thought it was high time to change the latter. The result: “Isnt Nits”, a 3 CD-box with 51 cover versions from artists from around the world.
As usual with the Nits, another album means another approach. Gone are the more straightforward poppy structures of the two albums before this; “Malpensa” from 2012 is built on electronica and loops. 2014 is filled with celebrations for the 40th birthday which allows for a look back at history with a Best Of-box set and a second live album in 2015.
The Nits are children of the Sixties. In 2008 and 2009, the Nits publish twin albums, that bear the influence of the period of classic pop music. These are shorter, upbeat songs, that still bear their own unmistakable mark. Back to the future!
A band is not only made up of musicians, there is a team behind them. In the case of the Nits, it is something akin to a family: a manager who has been there since the beginning, a sound engineer who grew up with them and a lighting engineer who has worked with them for years. This is the centre of operations, around which revolve many more people.
«Les Nuits» - the French title to the second work of the reformed trio of Hofstede, Kloet and Stips. As suggested by the title, a very atmospheric, introspective oeuvre with intense moments of darkness and some upbeat and poppy songs. All in all, one of the most intense recordings in the long career of the band.
An important aspect of the work of the Nits is the close connection to the world of visual arts. As evidenced by their record sleeves, their videos that they design themselves, the many references in songs. Dive into the visual world of a pop band.
2003 and the cards have been reshuffled again. In time for the 30th birthday in 2004, keyboard wizard Robert Jan Stips returns after a pause of seven years. At first for a tour only, then for the recording of an album – and finally he rejoins the band.
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